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Upshaw, soprano; London Sin-fonietta; David Zinman, conductor. Elektra Nonesuch, 1992.

Gorecki Symphony No. 3. Stefania Woytowicz, soprano; South-West German Radio Symphony Orchestra; Ernest Bour, conductor. Erato, 1985; reissued by Warner Classics, 2003.

New Piano Works from Europe and the Americas. Haydee Schvartz, piano. Mode Records, 1993.

Piano Sonatas Galina Ustvolskaya. Oleg Malov, piano. Megadisc Classics, 1993.

Schnittke, Concerto for Piano and Strings. The New Stockholm Chamber Orchestra. BIS Records, 1987.

Фильмы

Abuladze, Tengiz. Repentance. Georgia Film, 1984.

Cram, Bestor. Unfinished Symphony. Berkeley Media LLC, 2001.

Nichols, Mike. Wit. HBO, 2001.

Palmer, Tony. The Symphony of Sorrowful Songs. Voiceprint Records, 2007.

Pontecorvo, Gillo. The Battle of Algiers. Criterion, 2004, 1967.

Resnais, Alain. Night and Fog. Criterion, 2003, 1955.

Weir, Peter. Fearless. Warner, 1993.

Партитуры

Gorecki, Henryk Mikolaj. Symphony No. 3, op. 36, “Symphony of Sorrowful Songs”. London: Boosey & Hawkes, 1992.

Part, Arvo. Tabula Rasa Doppelkonzert fur zwei Violinen, Streichorchester und prapariertes Klavier. Vienna: Universal Edition, 2006.

Schnittke, Alfred. Konzert fiir klavier und Streicher. Hamburg: Musikver-lag Hans Sikorski, 1995.

Уствольская E Произведения для фортепиано Ленинград: Советский композитор, 1989

Литература

Abbate, Carolyn. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, N.J.: Princeton University Press, 1991.

Adorno, Theodor W. Commitment // The Essential Frankfurt School Reader. Andrew Arato and Eike Gebhardt (eds). New York Urizen Books, 1982. P. 300–318.

–. Negative Dialectics. Translated by E. B. Ashton. London and New York: Routledge, 1966, 1990.

Agawu, V. Kofi. Playing with Signs: A Semiotic Interpretation of Classic Music. Princeton, N.J.: Princeton University Press, 1991.

Alexander, Jeffrey C., Ron Eyerman, Bernhard Giesen, Neil J. Smelser, and Piotr Sztompka. Cultural Trauma and Collective Identity. Berkeley: University of California Press, 2004.

Almen, Byron. Narrative Archetypes: A Critique, Theory, and Method of Narrative Analysis 11 Journal of Music Theory 47, no. 1 (Spring 2003): 1-39.

Anderson, John. Religion, State and Politics in the Soviet Union and Successor States. Cambridge: Cambridge University Press, 1994.

Antokoletz, Elliott, and Juana Canabal Antokoletz. Musical Symbolism in the Operas of Debussy and Bartok: Trauma, Gender, and the Unfolding Unconscious. New York: Oxford University Press, 2004.

Aquila, Dominic. The Music of Arvo Part // Image: A Journal of the Arts and Religion no. 2 (1992): 110–119.

Archer, John. Theories of Grief: Past, Present, and Future Perspectives // Handbook of Bereavement Research and Practice: Advances in Theory and Intervention. Margaret S. Stroebe, Robert O. Hansson, Henk Schut, and Wolfgang Stroebe (eds). Washington, D.C.: American Psychological Association, 2008. P. 45–65.

Atlas, Allan W. Mimi’s Death: Mourning in Puccini and Leoncavallo // Journal of Musicology 14, no. 1 (Winter 1996): 52–79.

Attig, Thomas. Relearning the World: Making and Finding Meanings // Meaning Reconstruction and the Experience of Loss. Robert A. Neimeyer (ed.). Washington, D.C.: American Psychological Association, 200E P. 33–53.

Auslander, Philip. Musical Personae // Drama Review 50, no. 1 (Spring 2006): 100–119.

–. The Performativity of Performance Documentation // PAJ: A Journal of Performance and Art 28, no. 3 (2006): 1-10.

Barabanov, Evgenij. The Admonisher // Myths, Cycles, and the Modern Condition: The World of the Moscow Sculptor Vadim Sidur. David Riff (ed.). Bochum, Germany: Ruhr-University of Bochum, Lotman Institute for Russian and Soviet Culture, 2000. P. 15–36.

Barba, Eugenio. Theatre Anthropology // A Dictionary of Theatre Anthropology: The Secret Art of the Performer. Eugenio Barba and Nicola Savarese (eds). London: Routledge, 1991. P. 8–22.

Barnes, Christopher (ed.). The Russian Piano School: Russian Pianists and Moscow Conservatoire Professors on the Art of the Piano. London: Kahn & Averill, 2007.

Barringer, Felicity. ‘Repentance’, A Soviet Film Milestone, Strongly Denounces Official Evil // New York Times, November 16, 1986. Sec. 2. P. 1.

Beckerman, Michael. Kundera’s Musical Joke and ‘Folk’ Music in Czechoslovakia, 1948-? II Retuning Culture: Musical Changes in Central and Eastern Europe. Mark Slobin (ed.). Durham, N.C., and London: Duke University Press, 1996. P. 37–53.

–. Postcard from New York – Trio from Terezin // Musicand Politics 1, no.l (Winter 2007). http://www.music.ucsb.edu/projects/musicandpolitics/ archive/2007-1/beckerman.html.

Bek, Mikulas, Geoffrey Chew, and Petr Macek (eds). Socialist Realism and Music. Prague and Brno: KLP, Institute of Musicology, Masaryk University, 2004.

Beyer, Anders. Alfred Schnittke: Between Hope and Despair // The Voice of Music: Conversations with Composers of Our Time. Jean Christensen (ed.). Aidershot: Ashgate, 2001. P. 239–242.

Blanchot, Maurice. The Writing of the Disaster. Lincoln: University of Nebraska Press, 1986.

Blois, Louis. Shostakovich and the Ustvolskaya Connexion: A Textual Investigation II Tempo, no. 182 (September 1992): 10–18.

Bokman, Simon. Variations on the Theme Galina Ustvolskaya. Translated by Irina Behrendt. Berlin: Verlag Ernst Kuhn, 2007.

Bonanno, George A. Grief and Emotion: A Social-Functional Perspective // Handbook of Bereavement Research: Consequences, Coping, and Care. Margaret S. Stroebe, Robert O. Hansson, Wolfgang Stroebe, and Henk Schut (eds). Washington, D.C.: American Psychological Association, 2001. P. 493–515.

Bonde, Lars Ole. ‘Finding a New Place: Metaphor and Narrative in One Cancer Survivors BMGIM Therapy // Nordic Journal of Music Therapy 14, no. 2 (2005): 137–154.

Boobbyer, Philip. Conscience, Dissent and Reform in Soviet Russia. London: Routledge, 2005.

Borchardt, Georg. Alfred Schnittke and Gustav Mahler // Seeking the Soul: The Music of Alfred Schnittke. George Odam (ed.). 28–37. London: Guildhall School of Music and Drama, 2002.

Borkowicz, Jacek, Israel Gutman, and William Brand. Thou Shalt Not Kill: Poles on Jedwabne. Warsaw: Tow. “Wiez”, 2001.

Bowlby, John. Attachment and Loss. Volume 3: Loss: Sadness and Depression. New York: Basic Books, 1980.

Bracken, Patrick. Trauma: Culture, Meaning and Philosophy. London and Philadelphia: Whurr, 2002.

Bradshaw, Susan. Arvo Paart 11 Contact 26 (1983): 25–28.

Brashinsky, Michael, and Andrew Horton (eds). Russian Critics on the Cinema of Glasnost. Cambridge: Cambridge University Press, 1994.

Brown, Royal S. Overtones and Undertones: Reading Film Music. Berkeley: University of California Press, 1994.

Buhler, James. Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film // Film Music: Critical Approaches. K. J. Donnelly (ed.). New York: Continuum International, 2001. P. 39–61.

Burge, David. Twentieth-Century Piano Music. New York and Toronto: Schirmer Books; Collier Macmillan Canada; Maxwell Macmillan International, 1990.

Calinescu, Matei. Five Faces of Modernity:

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